Tampa-based multimedia art collective ‘Crab Devil’ creates immersive art experience

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Crab Devil is made up of members of other local art collectives such as Tempus Projects, Cunsthaus, LiveWork Studios, Experimental Skeleton, etc.C / O DEVIL CRABName something “cooler than a museum, smarter than a theme park, stranger than a carnival”. I’ll wait. Here is the answer: the devil of the crab.

Crab Devil is a multimedia arts collective based in Tampa and made up of members of other local art collectives such as Tempus Projects, Cunsthaus, LiveWork Studios, Experimental Skeleton, etc. These talented creators, artists, curators and writers from across the Tampa Bay area are putting together an immersive art experience right here in Tampa, one of the state’s largest collaborative and multidisciplinary art endeavors. already seen. Quality in this quantity equals judgment by cargo – these people will be growing up in our own backyard at 3800 N. Nebraska Ave.

If hearing the name Crab Devil makes you salivate for the Tampa dish (“devil” or “devil” crab), it’s not by mistake. Reversing the name adds a layer of intrigue and mystery to the known and the familiar, which spices up our familiar cuisine with a cryptozoological flavor. Such engagement of local heritage and spiritual imagination is crucial for the collective, whose goal is to “provide a platform to showcase the talents and traditions of this unique city and its people in a way. who can help establish their identity on the national stage “is described in the devil of the crab manifesto.

The waves of MunchausenCrab Devil’s main attraction, “The Peninsularium,” is a conglomerate of shipping containers that will house spaces of immersive art.RENDER C / O CRAB DEVILTheir main attraction, “The Peninsularium”, is a conglomerate of shipping containers that will house immersive artistic spaces. The manifesto reads: “Our desire is to create experiences and environments that instill new feelings, challenge perceptions and create permanent changes in the viewer. We aspire to an architecture of joy. This art shipyard echoes Tampa’s enduring presence as a port city and is reminiscent of the traveling circuses of the turn of the century. The name fits well in a history of deviations from dirt roads that preceded the freeways or Disney World, such as Gatorland, Gulfarium, Spongeorama and Serpentarium.

Visitors will enter through the Crab Devil Bait Shop, set up like any other roadside attraction on which Old Florida was built, where they are immersed in a unique atmosphere of gear and quirks that seem odd in one way or another. of another. If drawn beyond these unusual decoys, clients are transported through the Peninsularium to uncharted and unreal worlds. You should have got this silk-thread landing net after all. Who knows what else is waiting to be discovered?

The structure of this new artistic experience is quite different from the typical spaces of museums or galleries. Shipping containers are certainly not quickly associated with art – rather with the transport of trafficked goods or human beings, or as the backdrop to a cinematic action – but it still shows how the Peninsularium is. clever the structure is. The shipping container offers the same form no matter what, but the possibilities of what it can become are endless, and their inherent mobility lends itself to endless arrangements of artistic experiences, which can singularly exist or spread to through several containers.

Devon Brady, business manager of Crab Devil, explained that the collective’s achievement after “working with groups like New Orleans Airlift, an artist-led initiative that connects communities through experimental public art works , and seeing business models launched by groups like Meow Wolf was that it was a way for us to tie all of these things together in a way that gives us control of the experience, and puts local artists and makers able to benefit both creatively and financially by pushing the boundaries of what has been seen before. “

Forest RibbonThe shipping container offers the same form no matter what, but the possibilities of what it can become are endless, and their inherent mobility lends itself to endless arrangements of artistic experiences, which can singularly exist or spread to through several containers.RENDER C / O CRAB DEVILWorking directly and sincerely with the community is a major cornerstone of the organization. “The culture of diversity is not only a noble aspiration for us, it is a necessity for this work to be successful, to be original and engaging, and to speak to the people of the community it serves. Is another powerful line from the manifesto.

Crab Devil is researching installation proposals in shipping containers, dioramas, and artifacts for a cabinet of curiosities revolving around bizarre and beloved Sunshine State themes. “Stylistically, shows like Sunistra [Tempus Projects] were important in refining a Florida-centric view that we all shared – one that was a little darker, more nuanced, and ultimately more interesting than the typical Florida narratives familiar to most people, ”Brady said. Our geographic peninsula has no shortage of these fantastic and whimsical ideas to inspire work.

And if reading the words “Tampa” and “art space” and “shipping containers” makes you sweat as you think about how our signature year-round heat might play a role in the businesses of Crab Devil: do not be afraid ! These containers will be equipped with insulation and drywall, electrical ports and, above all, air conditioning. Having such critical elements allows the nature of the imaginary environment or the reality presented to have its full effect.

If you are an artist or a creative, be prepared to think outside the box; I can barely contain my excitement about Crab Devil’s future.

Want to take action? Visit crabdevil.com and email [email protected]

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